Spanish Baroque Era Painter, 1602-1648  Related Paintings of Antonio Puga :. | Three Capuchin Friars Meditating in their Hermitage | Portratt av ALFRED Wahlberg | Hunting | The marriage mistico of Holy Catalina of Sienna | Walloon Buluo Sa altar portraits |
Related Artists:
Vasilii Polenov
1844-1927
NUVOLONE, Panfilo
Italian painter, Lombard school (1581-1651) After studying with Giovanni Battista Trotti, he moved to Milan, where he is recorded in 1610. The influence of Trotti and of late Cremonese Mannerism is evident in his first known work, SS Nicholas and Costanza Adoring a Miraculous Image of the Virgin (1607; Can?nica d'Adda, S Giovanni Evangelista). In his paintings of scenes from the Life of Samson (1610-14; Milan, S Angelo, Cappella Sansoni) Nuvolone moved away from Trotti, exaggerating the size of the figures and defining form with an academic clarity reminiscent of the contemporary art of Camillo Procaccini. There followed, shortly after the work in S Angelo, frescoes of the Coronation of the Virgin and other scenes in the presbytery of S Maria della Passione in Milan, and, in 1614, a lunette of the Angel Announcing to Mary her Approaching Death for S Domenico, Cremona (Cremona, Mus. Civ. Ala Ponzone). In 1620 he painted the Coronation of the Virgin for the Swiss parish church in Milan (in situ). Still tied stylistically to the earlier work in S Maria della Passione, this demonstrates the difficulty Nuvolone experienced in breaking with the late Mannerism of Giovanni Paolo Lomazzo, Giuseppe Meda (d 1599) and Ambrogio Figino and in adapting to new trends in 17th-century Milanese painting. His Virgin and Child with Two Saints (1624; Milan, S Eustorgio), featuring stiff figures and inflated Mannerist drapery with its metallic folds, indicates continued contact with Procaccini. In the same year he was employed in the decoration of the Collegiata di Appiano Gentile, where he painted two scenes from the Life of St Stephen and a Virgin and Child with SS Anthony and Victor. He continued to produce a vast number of repetitive religious works, yet these are less interesting than his still-life paintings, generally of fruit stands with peaches and grapes presented symmetrically against dark backgrounds.
Inman Henry
American portrait, genre, and landscape painter, 1801-1846 The son of an English land agent who had emigrated to America in 1792, he studied under an itinerant drawing-master before moving to New York with his family in 1812. Two years later he obtained an apprenticeship with the city's leading portrait painter, John Wesley Jarvis, drawn to the artist not only for his skill but also for his collection of pictures, which at that time included Adolf Ulric Wertmuller's Danae and the Shower of Gold (1787; Stockholm, Nmus.). Inman worked closely with Jarvis, eventually accompanying him on his travels and serving more as a collaborator than an apprentice. Within this partnership Inman established a speciality in miniature painting. In 1823 he set up his own practice in New York and ceded miniature painting to his student and eventual partner Thomas Seir Cummings (1804-94).